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Ingewikkelde mythologische verhalen vol avontuur, geweld en erotiek vertellen over de duizenden goden van de oude Egyptenaren. We kunnen onze schouders erover ophalen, maar dan doen we die eeuwenoude godsdienst toch tekort. Meer dan drieduizend jaar lang hebben deze goden mensen aangesproken die tot de meest ontwikkelde volkeren van de oudheid behoorden. Alleen als we hun geloof serieus nemen, kunnen we iets van hun cultuur begrijpen.Daarom staan in dit boek de goden van Egypte centraal. We gaan zoeken naar de structuur van de godenwereld en de principes van hun onderlinge betrekkingen. We ontdekken zo de idealen van de Egyptenaren, hun wereldbeeld, en hun gevoel voor orde en rechtvaardigheid. Al die exotische goden blijken vaak personificaties van natuurkrachten te zijn, of projecties van ethische beginselen: dezelfde krachten en principes waarmee ook de moderne mens worstelt. Culturen zijn wel veranderd, maar het menselijk brein niet.Na een hoofdstuk over het ontstaan van de kosmos komen secties gewijd aan de hemel, de aarde en de onderwereld. Samen geven die een Egyptisch antwoord op de universele vragen: Waar komt de wereld vandaan? Waartoe zijn wij op aarde? Hoe kiezen we tussen goed en kwaad? Wat gebeurt er na onze dood? Daarna onderzoeken we de transformatie van de Egyptische religie na afloop van de faraonische periode. Daarbij trekken we de lijn door naar het heden. Ook tegenwoordig zijn de Egyptische goden nog springlevend in de populaire cultuur van film, strips, fantasy, tatoeages en commercie.(https://www.sidestone.com/books/goden-van-egypte)
Comparative religion --- archaeological objects --- religious art --- Egyptische kunst --- godsdienst --- oudheid --- Egyptische geschiedenis --- Antiquity --- Egypt --- Geschiedenis --- Egypte --- Godsdienst --- Exhibitions --- Mythology, Egyptian. --- Gods, Egyptian. --- Religion.
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Photography was long regarded as a "middlebrow" art by the art institution. Yet, at the turn of the millennium it became the hot, global art of our time. In this book - part institutional history, part account of shifting photographic theories and practices - Alexandra Moschovi tells the story of photography?s accommodation in and as contemporary art in the art museum. Archival research of key exhibitions and the contrasting collecting policies of MoMA, Tate, the Guggenheim, the V&A, and the Centre Pompidou offer new insights into how art as photography and photography as art have been collected and exhibited since the 1930s. Moschovi argues that this accommodation not only changed photography?s status in art, culture, and society, but also played a significant role in the rebranding of the art museum as a cultural and social site.
Art museums --- Photography, Artistic --- Photography museums --- Photography --- Art museums. --- Art --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Galleries and museums --- Museology --- photography [process] --- fotografiegeschiedenis --- Exhibitions
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A successful exhibition is a well-balanced mix of communication, knowledge transfer, interaction, adventure, and contemplation. This widely popular handbook, which has already gone through multiple printings, offers a concise presentation of the principal phases of an exhibition's genesis with striking examples from the design practice of the authors. Topics covered are conception and design, presentation and staging, representation and education, text and graphics, typography and layout, as well as light and lighting. The central design steps are illustrated with sketches, diagrams, plans, elevations, simulations, technical drawings, working models, and photographs. Bertron Schwarz Frey (Berlin and Ulm) is one of Germany's leading exhibition design firms. Eine gelungene Ausstellung ist das ausgewogene Resultat von Kommunikation, Wissensvermittlung, Interaktion, Erlebnis und Kontemplation. Dieses erfolgreiche, schon mehrmals nachgedruckte, nunmehr aktualisierte Handbuch erläutert in knapper Form die entscheidenden Entstehungsphasen von Ausstellungen anhand markanter Beispiele aus der Gestaltungspraxis der Autoren. Themen sind Konzeption und Entwurf, Präsentation und Inszenierung, Darstellung und Vermittlung, Text und Grafik, Typografie und Layout, Licht und Beleuchtung. Die grundlegenden Schritte im Gestaltungsprozess werden mit Skizzen, Diagrammen, Plänen, Wandabwicklungen, Simulationen, Darstellungen, Arbeitsmodellen und Fotos veranschaulicht. Bertron Schwarz Frey (Berlin und Ulm) zählt zu den führenden Büros für Ausstellungsgestaltung in Deutschland.
Museum techniques. --- Museum exhibits. --- Art --- Exhibition techniques. --- Art exhibition techniques --- Display techniques in art --- Exhibition techniques in art --- Display techniques --- Displays, Museum --- Museum displays --- Museums --- Museology --- Exhibitions --- Technique --- exhibitions [events] --- 369.6 --- standenbouw --- tentoonstellingsopbouw --- bedrijfseconomie, etaleren - organisatie en inrichting van tentoonstellingen --- designs [artistic concepts] --- Public buildings --- Architecture --- exhibition buildings --- Museum techniques --- Museum exhibits --- Exhibition techniques --- Ausstellungsgestaltung. --- Design. --- Museumsgestaltung. --- exhibition design. --- museum design. --- Ausstellung --- Gestaltung --- Museum --- ARCHITECTURE / Interior Design / General. --- Applied museology --- Museography --- Museum practices --- Museum studies --- Öffentliche Sammlung --- Museen --- Kulturelle Einrichtung --- Museumskunde --- Musealisierung --- Sammlung --- Gestalten --- Industriedesign --- Sonderausstellung --- Ausstellungen --- Kulturveranstaltung --- Markenwelt --- Öffentliche Sammlung
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Chronologie - De strijd om het overwicht in Europa (W - Blockmans) - Persoonlijkheid en macht (A - Kohler) - De reformatie (B - Moeller) - De opbouw van een wereldeconomie (H - Van Der Wee) - De ontdekking en verovering van de wereld (E - Schmitt) - Kunst en macht (F - Checa Cremades) - Macht en onmacht in Europa (G - Kugler) - Stedelijke identiteit en politieke cultuur in Gent (J - Dambruyne) - Gent de stadscultuur in de Nederlanden (H - Pleij) - De schilderkunst in de 17 Provinciën (P - Huvenne) - De tentoonstelling (H - Soly)
Art --- Biographies --- Charles V dit Charles Quint --- Exposition --- Gent --- Histoire économique --- Histoire politique --- Histoire religieuse --- Charles --- Art patronage --- historieschilderkunst --- historische figuren --- geschiedenis --- adellijke personen --- macht --- Karel V (Keizer van het Heilig Roomse Rijk) --- 1500 - 1558 --- 16de eeuw --- Nederlanden --- Histoire --- Renaissance --- America --- Europe --- Holy Roman Empire --- Civilization --- History --- Charles, --- Charles-Quint --- Saint Empire romain germanique --- History of the Low Countries --- Charles V [Holy Roman emperor] --- Charles V --- Exhibitions --- Kunst --- Geschiedenis van de Nederlanden --- Karel V [Keizer v.h. H.Roomse Rijk] --- #gsdb8 --- 946.04 <064> --- 949.3.021 --- 949.3.021 Geschiedenis van België: 16de eeuw; Habsburgers; Karel V; Philips II; opstand tegen Spanje (1482-1555/1585) --- Geschiedenis van België: 16de eeuw; Habsburgers; Karel V; Philips II; opstand tegen Spanje (1482-1555/1585) --- 946.04 <064> Geschiedenis van Spanje: Karel V (I) en Philips II--(1516-1598)--Tentoonstellingscatalogi. Museumcatalogi --- Geschiedenis van Spanje: Karel V (I) en Philips II--(1516-1598)--Tentoonstellingscatalogi. Museumcatalogi --- Karel --- Carolus --- Karl --- Keizer Karel --- Carlos --- Heiliges Römisches Reich Deutscher Nation --- Heiliges Römisches Reich --- Svi︠a︡shchennai︠a︡ Rimskai︠a︡ Imperii︠a︡ --- Imperium Romano Germanicum --- S.R.I. --- Sacrum Romanum Imperium --- Austria --- Germany --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- Americas --- New World --- Western Hemisphere --- #GOSA:IX.Cata --- #GOSA:XI.Bio.M --- #GOSA:XI.Mod.M --- #KVHA:Geschiedenis; Spanje --- #KVHA:Geschiedenis; Vlaanderen --- #KVHA:Keizer Karel --- 900.5 --- 930.6 --- 926.2 --- 934.4 --- 936.1 --- 944.4 Espagne --- 944.4 Spanje --- 944.4 Spain --- 946.2 Espagne --- 946.2 Spanje --- Karel V (keizer v. Rooms-Duitse rijk, koning v. Spanje) --- Geschiedenis --- 16e eeuw --- Spanje --- Duitsland --- Oostenrijk --- Reformatie --- Keizer Karel V --- CDL --- 940 --- Keizer Karel V (Heilige Roomse Rijk) --- Reformatie (religie) --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum --- geschiedenis - 16e eeuw --- historiestukken --- Charles - V, - Holy Roman Emperor, - 1500-1558 - Exhibitions --- America - Civilization - Exhibitions --- Europe - Civilization - Exhibitions --- Holy Roman Empire - History - Charles V, 1519-1556 - Exhibitions --- Charles - V, - Holy Roman Emperor, - 1500-1558 --- Amerique --- Civilisation --- Karel V (Keizer van het Heilig Roomse Rijk). --- 1500 - 1558. --- 16de eeuw. --- Nederlanden. --- Gent.
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Re-Imagining the Museum presents new interpretations of museum history and contemporary museum practices. Through a range of case studies from the UK, North America and Australia, Andrea Witcomb moves away from the idea that museums are always 'conservative' to suggest they have a long history of engaging with popular culture and addressing a variety of audiences. She argues that museums are key mediators between high and popular culture and between government, media practitioners, cultural policy-makers and museums professionals. Analyzing links between museums and the media, looking at the r
Australia. --- Museum exhibits. --- Museum techniques. --- Museums. --- Museum Publications --- Culture and mass media --- Display techniques --- Displays, Museum --- Museum displays --- Museology --- Cultural policy --- Mass media and culture --- Museum exhibits --- Museums --- Museum techniques --- Popular culture --- Public institutions --- Cabinets of curiosities --- Exhibitions --- Culture --- Intellectual life --- State encouragement of science, literature, and art --- History --- Historiography --- Philosophy --- Technique --- Government policy --- Cultural policy. --- Historiography. --- History. --- Mass media and culture. --- General --- Applied museology --- Museography --- Museum practices --- Museum studies
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Art museums --- Art --- Visual Arts - General --- Visual Arts --- Art, Architecture & Applied Arts --- Art exhibition techniques --- Display techniques in art --- Exhibition techniques in art --- Exhibitions --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Educational aspects --- Exhibition techniques --- Display techniques --- Galleries and museums --- #SBIB:316.7C214 --- #SBIB:316.7C324 --- Cultuursociologie: plastische kunsten, monumenten --- Culturele infrastructuur: musea --- Musées --- Aspect éducatif --- Techniques d'exposition --- Exhibition techniques.
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The Chinese Research Academy of Environmental Sciences (CRAES) has conducted the Environmental exposure related activity pattern research of Chinese population (Adults). Exposure Factors Handbook of Chinese Population (Adults) was compiled based on the results from this study. Highlights of the Chinese Exposure Factors Handbook is a brief introduction to the content of Exposure Factors Handbook of Chinese Population (Adults). In each chapter, definitions, possible influence factors, and survey methods have been introduced, followed by recommended values for urban/rural areas, different gen
Hazardous substances --- Environmental monitoring --- Risk assessment --- Biomonitoring (Ecology) --- Ecological monitoring --- Environmental quality --- Monitoring, Environmental --- Applied ecology --- Environmental engineering --- Pollution --- Dangerous chemicals --- Dangerous goods --- Dangerous materials --- Dangerous substances --- Hazardous chemicals --- Hazardous goods --- Hazardous materials --- Hazmats --- Chemicals --- Materials --- Measurement --- Monitoring --- Communication and culture --- Museum exhibits --- Museums --- Visual communication --- Visual learning --- Visual perception --- #SBIB:316.7C324 --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Learning, Visual --- Learning --- Graphic communication --- Imaginal communication --- Pictorial communication --- Communication --- Education --- Display techniques --- Displays, Museum --- Museum displays --- Exhibitions --- Museum techniques --- Culture and communication --- Culture --- Educational aspects --- Philosophy --- Culturele infrastructuur: musea --- Psychological aspects --- Museology --- Sociology of culture --- Communication and culture. --- Museum exhibits. --- Visual communication. --- Visual learning. --- Visual perception. --- Educational aspects. --- Philosophy.
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Destination Culture takes the reader on an eye-opening journey from ethnological artifacts to kitsch. Posing the question, "What does it mean to show?" Barbara Kirshenblatt-Gimblett explores the agency of display in a variety of settings: museums, festivals, world's fairs, historical re-creations, memorials, and tourist attractions. She talks about how objects-and people-are made to "perform" their meaning for us by the very fact of being collected and exhibited, and about how specific techniques of display, not just the things shown, convey powerful messages. Her engaging analysis shows how museums compete with tourism in the production of "heritage." To make themselves profitable, museums are marketing themselves as tourist attractions. To make locations into destinations, tourism is staging the world as a museum of itself. Both promise to deliver heritage. Although heritage is marketed as something old, she argues that heritage is actually a new mode of cultural production that gives a second life to dying ways of life, economies, and places. The book concludes with a lively commentary on the "good taste/bad taste" debate in the ephemeral "museum of the life world," where everyone is a curator of sorts and the process of converting life into heritage begins.
Culture. --- Ethnological museums and collections. --- Heritage tourism. --- Museum exhibits. --- Tourism. --- #VCV monografie 2000 --- #SBIB:39A5 --- 39 --- 069 --- 069 Permanente tentoonstellingen. Musea --- Permanente tentoonstellingen. Musea --- 39 Volkenkunde. Zeden en gebruiken. Culturele antropologie --- Volkenkunde. Zeden en gebruiken. Culturele antropologie --- Kunst, habitat, materiële cultuur en ontspanning --- toerisme --- cultuursociologie --- tourism --- Ethnology. Cultural anthropology --- museology --- Sociology of culture --- museumkunde --- Tourism --- culturele antropologie --- social anthropology --- Museology --- cultuur --- museum --- cultureel erfgoed --- Historic preservation --- Museum exhibits --- Anthropologie sociale et culturelle --- Patrimoine historique --- Objets exposés --- Tourisme --- Culture --- Musées et collections --- Ethnological museums and collections --- Heritage tourism --- Holiday industry --- Operators, Tour (Industry) --- Tour operators (Industry) --- Tourism industry --- Tourism operators (Industry) --- Tourist industry --- Tourist trade --- Tourist traffic --- Travel industry --- Visitor industry --- Service industries --- National tourism organizations --- Travel --- Display techniques --- Displays, Museum --- Museum displays --- Museums --- Exhibitions --- Museum techniques --- Cultural tourism --- Ethnological collections --- Ethnology --- Anthropological museums and collections --- Cultural sociology --- Civilization --- Popular culture --- Economic aspects --- Social aspects
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Painting --- Christian religion --- religious art --- Art styles --- religieuze kunst --- iconen (kunst) --- icons [devotional images] --- Greece --- European Russia --- Arts religieux --- Catalogues d'expositions --- Religieuze kunst --- Tentoonstellingscatalogi --- 246.5 --- 75.033 --- Schilderkunst ; ikonen --- Tentoonstellingscatalogi ; Antwerpen ; Koninklijk Museum voor Schone Kunsten --- 7.046 --- Ikonen ; 13de tot 17de eeuw --- Ikonostase --- Byzantijnse kunst --- (069) --- kunst --- ikonen --- Byzantium --- Griekenland --- Rusland --- 7.033.2 --- #gsdbA --- C3 --- iconografie --- catalogus --- 730.4 --- Iconen --- Iconografie --- Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Schilderkunst van de Middeleeuwen --- Iconografie ; epische, mythologische, religieuze voorstellingen --- (Musea. Collecties) --- Kunst en cultuur --- Exhibitions --- 75.033 Schilderkunst van de Middeleeuwen --- 246.5 Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- #GGSB: Religieuze kunst --- 738.1 --- schilderkunst --- religieuze voorstellingen --- Art, Medieval --- Art, Medieval. --- Christelijke godsdienst. --- Christian art and symbolism --- Christian art and symbolism. --- Icon painting --- Icon painting. --- Iconen (schilderkunst). --- Icons, Greek --- Icons, Greek. --- Icons, Russian --- Icons, Russian. --- Kunststijlen. --- Schilderkunst. --- iconen (kunst). --- icons devotional images. --- religieuze kunst. --- religious art. --- Europees Rusland. --- Griekenland. --- Icônes
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L'historien latin Tite-Live est l’auteur d’une monumentale Histoire romaine en 142 livres. Les parties conservées de l’œuvre furent l’une des principales sources par lesquelles l’Occident médiéval et moderne accéda au récit des premiers temps de Rome et de son expansion à l’époque républicaine. En 2017, pour commémorer le bimillénaire de la mort de cet auteur, s’est tenue à la Bibliothèque Universitaire Moretus Plantin (Université de Namur) une exposition de livres anciens qui illustrait les facettes variées de la réception de l’œuvre livienne au cours des cinq derniers siècles. Dans la quarantaine de notices de ce catalogue, le lecteur découvrira des éditions et traductions anciennes de Tite-Live, ainsi que des ouvrages qui participèrent de la redécouverte de l’Antiquité durant la Renaissance. Y sont aussi dévoilés quelques exemples – parfois surprenants – de l’influence que Tite-Live put avoir sur de grands noms de la littérature et de la pensée modernes : Érasme, Montaigne, Machiavel, Shakespeare, Corneille…
Tite-Live --- Manuscripts, Latin (Medieval and modern) --- Transmission of texts --- Literary transmission --- Manuscript transmission --- Textual transmission --- Criticism, Textual --- Editions --- Manuscripts --- Medieval and modern Latin manuscripts --- Manuscripts, Medieval --- History --- Livy. --- Livy --- Livius, Titus --- Livyus, Titus --- Liviĭ, Tit --- Liwiusz, Tytus --- Livio, Tito --- Livius, T. --- Livio --- ליוויוס, טיטוס --- Translations --- History and criticism --- Influence --- Rome --- Rim --- Roman Empire --- Roman Republic (510-30 B.C.) --- Romi (Empire) --- Byzantine Empire --- Rome (Italy) --- Historiography --- Exhibitions --- 094 LIVIUS, TITUS --- 82.085.43 --- 094 LIVIUS, TITUS Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--LIVIUS, TITUS --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--LIVIUS, TITUS --- 82.085.43 Literaire receptie --- Literaire receptie --- Information Science & Library Science --- historien --- Antiquité romaine --- œuvre --- incunable --- édition --- humanisme --- exposition --- patrimoine
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